La nueva era del kitsch: Ensayo sobre la civilización del exceso G Lipovetsky Spanish
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The new age of kitsch
An essay on the civilisation of excess.
Kitsch has changed. What was once considered a style of bad taste, relegated to the decorative sphere and associated with bourgeois aesthetics, has been transformed into a global "neokitsch" that permeates architecture, leisure, fashion, show business and even digital communication.
Its influence has grown so much that it has given rise to a "luxury kitsch", adopted by major brands and financial elites. Expansive and omnipresent, it is no longer limited to objects or images, but shapes a veritable civilisation founded on the logic of excess: the civilisation of "too much".
Gilles Lipovetsky and Jean Serroy do not limit themselves to a nostalgic critique or a moralistic judgement, but explore kitsch as a central phenomenon in the anthropology of modernity, revealing the human need for escape in a world dominated by the aesthetics of the ephemeral and seduction.
Instead of reducing it to a superficial frivolity, they analyse it as an interpretative key to our times and place the problem in its real context.
This book does not aim to condemn it, but to offer a lucid and penetrating reading of modernity, with its contradictions and excesses, to show that kitsch is not something to be eradicated, but to be understood in all its complexity.
No. of pages: 480.
Language: Spanish.
Publisher: Anagrama.
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La nueva era del kitsch: Ensayo sobre la civilización del exceso G Lipovetsky Spanish
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<p>The new age of kitsch</p>
<ul>
<li>An essay on the civilisation of excess.</li>
<li>Kitsch has changed. What was once considered a style of bad taste, relegated to the decorative sphere and associated with bourgeois aesthetics, has been transformed into a global "neokitsch" that permeates architecture, leisure, fashion, show business and even digital communication.</li>
<li>Its influence has grown so much that it has given rise to a "luxury kitsch", adopted by major brands and financial elites. Expansive and omnipresent, it is no longer limited to objects or images, but shapes a veritable civilisation founded on the logic of excess: the civilisation of "too much".</li>
<li>Gilles Lipovetsky and Jean Serroy do not limit themselves to a nostalgic critique or a moralistic judgement, but explore kitsch as a central phenomenon in the anthropology of modernity, revealing the human need for escape in a world dominated by the aesthetics of the ephemeral and seduction.</li>
<li>Instead of reducing it to a superficial frivolity, they analyse it as an interpretative key to our times and place the problem in its real context.</li>
<li>This book does not aim to condemn it, but to offer a lucid and penetrating reading of modernity, with its contradictions and excesses, to show that kitsch is not something to be eradicated, but to be understood in all its complexity.</li>
<li>No. of pages: 480.</li>
<li>Language: Spanish.</li>
</ul>
<p>Publisher: Anagrama.</p>https://static.hartem.com/media/catalog/product/1/0/Historia_del_arte_en_comic-_revoluciones-10022026091159.webp0instock22.02010022.02000https://static.hartem.com/media/catalog/product/1/0/Historia_del_arte_en_comic-_revoluciones-10022026091159.webp/Novedades de Bellas Artes/New/Fine Arts Books/Editorial1770812370000