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The Daughter. Sergio del Molino
Sergio del Molino looks where no one else looks and that is why he sees what no one else sees. And he tells it in the style of a great writer".Iñaki Gabilondo
Juan Antonio Rascón arrives in Paris in 1878 to see some paintings by Goya which turn out to be the black paintings of the artist's Madrid villa. When he examines them, the memory of Rosario Weiss, with whom he was in love in his youth, comes back to him. The young woman grew up with Goya and learned from him, but above all, she was the daughter who accompanied him until his last days; however, after the painter's death, she was relegated for decades, erased both by her status as a woman and by the collective will to preserve the Goya myth intact.
More than a century later, the writer Sergio del Molino contemplates Weiss's self-portrait in the Prado Museum and, making use of the maximum freedom that fiction allows, repairs the threads that history was determined to break, while reconstructing a convulsive period in Spain's political and cultural history. In the process, it illuminates the singular role of the creator and exposes the manoeuvre that expelled Rosario from the story. The daughter restores her identity to an exceptional artist who should never have lost the centre of her own life.
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https://hartem.com/en-gb/the-daughter-sergio-del-molino.html172995La hija S del Molino Spanish<p>The Daughter. Sergio del Molino</p>
<p>Sergio del Molino looks where no one else looks and that is why he sees what no one else sees. And he tells it in the style of a great writer".Iñaki Gabilondo</p>
<p>Juan Antonio Rascón arrives in Paris in 1878 to see some paintings by Goya which turn out to be the black paintings of the artist's Madrid villa. When he examines them, the memory of Rosario Weiss, with whom he was in love in his youth, comes back to him. The young woman grew up with Goya and learned from him, but above all, she was the daughter who accompanied him until his last days; however, after the painter's death, she was relegated for decades, erased both by her status as a woman and by the collective will to preserve the Goya myth intact.</p>
<p>More than a century later, the writer Sergio del Molino contemplates Weiss's self-portrait in the Prado Museum and, making use of the maximum freedom that fiction allows, repairs the threads that history was determined to break, while reconstructing a convulsive period in Spain's political and cultural history. In the process, it illuminates the singular role of the creator and exposes the manoeuvre that expelled Rosario from the story. The daughter restores her identity to an exceptional artist who should never have lost the centre of her own life.</p>
<ul>
<li>Author: Sergio del Molino</li>
<li>Cover: Softcover</li>
<li>Pages: 648</li>
<li>Language: Spanish</li>
<li>Year: 2026</li>
<li>MODEL: 9788420439846</li>
</ul>
<p>Publisher: Alfaguara</p>https://static.hartem.com/media/catalog/product/9/7/Marquesa_Cronica_del_mayor_robo_de_arte_de_la_historia_de_Espana-27042026161822.webp0instock20.32010020.32000https://static.hartem.com/media/catalog/product/9/7/Marquesa_Cronica_del_mayor_robo_de_arte_de_la_historia_de_Espana-27042026161822.webp/Novedades de Bellas Artes/New/Fine Arts Books/Editorial1777547777000
